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The collection proposes inventive research strategies for the study of the affective and fluctuating dimensions of cultural life. It presents studies of nightclubs, YouTube memes, political provocations, heritage sites, blogging, education development, and haunting memories.

Global Media, Biopolitics and Affect shows how mediations of bodily vulnerability have become a strong political force in contemporary societies. In discussions and struggles concerning war involvement, healthcare issues, charity, democracy movements, contested national pasts, and climate change, performances of bodily vulnerability is increasingly used by citizens to raise awareness, create sympathy, encourage political action, and to circulate information in global media networks. The book thus argues that bodily vulnerability can serve as a catalyst for affectively charging and disseminatin

The article analyses the spatial entanglement of colonial heritage struggles through a study of the Rhodes Must Fall student movement at the University of Cape Town and the University of Oxford. We explore affective politics and the role heritage can play in the landscape of body politics. We aim to shed light over why statues still matter and we argue that affective politics – defined as politics that engage bodies immediately – is due to site-specific actions capable of going viral but likewise to non-photogenic scenes with indexical power. The decolonizing activism of the RMF movement mobilizes around the controversial heritage associated with Cecil Rhodes at both places – a heritage that includes statues, buildings, Rhodes scholarship and the Rhodes Trust funds. The article analyzes the cultural repertoires put to use in both locations and shows how political mobilization happens in the two cases. We look at how the spatial connectivity established by the heritage-centered strategy of the RMF in Oxford and Cape Town replicates and challenges the connectivity and power-geometries that was created by Rhodes and his followers during the colonial era. Only in SA did the repertoire fledge out what we call an affective politics using bodies as main tool.

This book examines contemporary performances of authenticity in travel and tourism practices. It re-thinks and re-invests in the notion of authenticity as a surplus of experiential meaning and feeling. Drawing on a range of perspectives and cases, it explores how the feeling of authenticity within places is produced.

The French city of Nantes has been heralded for both its creative and complex engagements with the dark heritage of its history as France's main slave port. In this article we examine the ways in which the colonial heritage has been dealt with in Nantes, arguing that we find here various processes and initiatives which can be understood as expressing or combining what we suggest are four main modes of colonial heritage practice: Repression, Removal, Reframing and Re-emergence. We discuss how the city authorities and local organizations with a focus on colonial heritage have ended the silent repression of the city's slave trading heritage, and to some extent entirely reframed the city as a center of avant-garde art and culture, e.g., through the 2012 construction of Memorial to the Abolition of Slavery. Finally, we critically analyze the domesticating effect of this reframing as well as practices of removal which, by contrast, have been used to reintroduce decolonial antagonism and oppositional struggle into the public space in Nantes. Finally we investigate whether street performances of Royal de Luxe might hold what we term potential for re-emergence; a heritage practice entailing both a reemergent aesthetics able to engage the audience at a bodily and affective level, a re-emergent history able to both articulate the past and energize contemporary struggles, and the re-emergence of a broader field of voices and subjects.

This article analyses the design and outcomes of the research project Rewilding Lystrup, which involved a partnership with local authorities in Aarhus, Denmark, to merge two distinct processes: climate adaptation and the biodiversity transformation of a public park. Our key interest in the article is the potential offered by experimental participatory events to support the biodiverse transformation of public areas by creating micro-utopian entanglements of citizens and nonhuman organisms. The article will focus on three experimental participatory events enacted as part of the research project: (1) public dialogues and workshops, (2) the arrival on the scene of charismatic cows, and (3) pop-up events in the form of participatory playing. The article concludes that this kind of material citizenship is a powerful strategy for stimulating public engagement in building more biodiverse futures. The strategy thus materializes micro-utopian spaces where the importance of biodiversity can be rehearsed and sensed by local communities. In this way, a culturally transformative zone of dreaming while doing—or doing dreams—is enacted.

Over the last decade, the close relationship between culture and economy - or ""the experience economy"" - has risen on the agenda. Although there is an established research field for analysing the economic impact of entrepreneurship, there is currently a limited amount of research that analyses the cultural impact and opportunity of entrepreneurship. Linking experience economy with enterprising behavior moves the term away from businesses'' competitiveness and consumer behavior towards a more value-focused business in general. This ground-breaking book integrates entrepreneurship and empower

Decolonizing Colonial Heritage explores how different agents practice the decolonization of European colonial heritage at European and extra-European locations. Assessing the impact of these practices, the book also explores what a new vision of Europe in the postcolonial present could look like. Including contributions from academics, artists and heritage practitioners, the volume explores decolonial heritage practices in politics, contemporary history, diplomacy, museum practice, the visual arts and self-generated memorial expressions in public spaces. The comparative focus of the chapters includes examples of internal colonization in Europe and extends to former European colonies, among them Shanghai, Cape Town, and Rio de Janeiro. Examining practices in a range of different contexts, the book pays particular attention to sub-national actors whose work is opening up new futures through their engagement with decolonial heritage practices in the present. The volume also considers the challenges posed by applying decolonial thinking to existing understandings of colonial heritage. Decolonizing Colonial Heritage examines the role of colonial heritage in European memory politics and heritage diplomacy. It will be of interest to academics and students working in the fields of heritage and memory studies, colonial and imperial history, European studies, sociology, cultural studies, development studies, museum studies, and contemporary art.

Frontmatter -- Contents -- Acknowledgements -- Contributors -- Preface -- Chapter 1 Performative Authenticity in Tourism and Spatial Experience: Rethinking the Relations Between Travel, Place and Emotion -- SECTION ONE STAGING AND PRACTICING AUTHENTICITY -- Chapter 2 Staging Places as Brands: Visiting Illusions, Images and Imaginations -- Chapter 3 The City In-Between: Communication Geographies, Tourism and the Urban Unconscious -- Chapter 4 'The Summer We All Went to Keuruu': Intensity and the Topographication of Identity -- SECTION TWO BRANDING AND MATERIALISING AUTHENTICITY -- Chapter 5 Authenticity and Place Branding: The Arts and Culture in Branding Berlin and Singapore -- Chapter 6 On the Management of Authenticity: Culture in the Place Branding of Øresund -- Chapter 7 A Ferris Wheel on a Parking Lot: Heritage, Tourism, and the Authenticity of Place in Solvang, California -- SECTION THREE RE-WRITING AND RE-MEDIATING AUTHENTICITY -- Chapter 8 Travel and Testimony: The Rhetoric of Authenticity -- Chapter 9 Cool Kullaberg: The History of a Mediated Tourist Site -- Chapter 10 Crime Scenes as Augmented Reality: Models for Enhancing Places Emotionally by Means of Narratives, Fictions and Virtual Reality -- Chapter 11 Murder Walks in Ystad CARINASJÖHOLM -- Chapter 12 Negotiating Authenticity at Rosslyn Chapel -- SECTION FOUR RE-EMPOWERING AUTHENTICITY -- Chapter 13 Making Pictures Talk: The Re-opening of a 'Dead City' through Vernacular Photography as a Catalyst for the Performance of Memories -- Chapter 14 Globe1: A Place of Integration or an 'Ethnic Oasis'? -- Chapter 15 Online Tourism: Just like Being There? -- SECTION FIVE EMBODYING SPATIAL MYTHOLOGIES -- Chapter 16 Journeys, Religion and Authenticity Revisited -- Chapter 17 Walking Towards Oneself: The Authentification of Place and Self -- Chapter 18 Thrillscapes: Wilderness Mediated as Playground -- References -- Index